The Bacchae (Summary)
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Summary
Dionysus, Greek god of wine,
fertility, ritual madness, and ecstasy, stands outside of the royal palace of Thebes. He has taken human form
and returned to Thebes, the town of his birth, to avenge the dishonorable
treatment of his deceased mother, Semele.
Semele was the daughter of Cadmus, the elderly Theban who has given over
the rule of the kingdom to his grandson, and Dionysus’ cousin, Pentheus. Semele was impregnated by Zeus, the king of the gods. Hera, Zeus’
wife, was jealous of Semele’s relationship with Zeus and tricked Semele into
asking Zeus to reveal himself in his true form—a lightning storm, which struck
and killed Semele.
Dionysus tells the
audience he has arrived in Thebes from the East, where he established his
“rites and mysteries” and “set all Asia dancing.” He’s set the city “ringing”
with his “ecstasies” and “the cries of women, clothed in fawn-skin, holding
the thyrsus.” He explains that
he’s targeted Thebes because his mother Semele’s sisters, Agave, Ino, and Autonoe, deny that he is the son of Zeus and dishonor his mother’s memory.
They thought the story was just a ruse thought up by Cadmus because Semele had a scandalous
affair with a mortal man.
Dionysus wants Thebes to
“learn its lesson” and follow his rites and rituals. All of the women of the
city are already entranced—they’ve decamped to the mountains, driven
“delirious” by Dionysus. They are his Bacchae. He says that when the
Thebans realize his godliness they will see Semele’s innocence.
Dionysus is angry
with Pentheus, the king of Thebes and grandson of Cadmus, for disrespecting him by refusing to
offer sacrifice or prayer in his honor. He says that once his task is done in
Thebes, he’ll move on to other cities—but if anyone tries to stop his female
followers, the Bacchae, he will “bring on
war.” Dionysus calls on his “women” to beat their drums at the palace doors, before leaving to join the
dance of his Bacchae on Mount Cithaeron.
The chorus sings Dionysus’ praises, charting
their journey from Asia to Greece. They say those who give themselves to
Dionysus will be blessed. They also recount the story of Dionysus’ birth.
According to the chorus, if Theban women dress in ivy and wool, carry the thyrsus, and dance, they will
be “freed from themselves, possessed by Dionysius!”
Summary
Analysis
Tiresias, the elderly blind
prophet, enters dressed as a Dionysian follower. He calls to Cadmus to come out of the palace and join him. Cadmus arrives and
greets him warmly, also dressed in Bacchant garbs. Both of them are excited to
join in the dance, despite their old age. They’re the only men in Thebes
willing to dance for Dionysus. Cadmus tells Tiresias
that he can see Pentheus approaching.
Pentheus appears,
accompanied by his attendants. He has been out of the country for a few days
and is furious at the scenes he’s come back to. He complains about Dionysus and the way he
has deceived the women of the town. He believes that “drink is at the bottom of
it all,” and that it’s making the women promiscuous. He boasts that he’s
already imprisoned many of them, and that he will hunt down the rest on the
mountain—even his mother, Agave, and his aunts, Ino and Autonoe.
Pentheus goes on,
lambasting Dionysus as just some
“charlatan magician”; Pentheus vows to put a stop to his mischief and behead
him. Pentheus scorns the idea that Dionysus is a god, and says Dionysus
and Semele were killed for the latter’s lie
that she had slept with Zeus.
Pentheus notices Cadmus and Tiresias and their
Dionysian attire. He mocks them, and tells Cadmus he is ashamed of him. He
accuses Tiresias of embracing Dionysus so he can make money on the side from
burnt offerings and prophecies. The chorus accuses Pentheus of “blasphemy.”
Tiresias argues in Dionysus’ favor, saying the god
will be a great power in Greece. He says that the ecstatic rituals of Dionysus
bring the “power of second sight.” He also praises Dionysus for the gift of
wine, which brings “peace to the troubled mind” and gives people “blessed sleep.”
He says Dionysus doesn’t corrupt women, but releases their “true nature,” and
that Pentheus is “mad” not to pay tribute.
Cadmus tells Pentheus that he needs to follow “customs and
traditions.” He reasons that, even if Dionysus isn’t a god, it
does no harm to act as if he is. Firstly, they’ll avoid divine retribution and,
secondly, it will bring honor to their family to be associated with godliness.
He reminds Pentheus of the tragic end Pentheus’ cousin Actaeon, who was torn apart by dogs because he bragged that
his hunting skills were superior to a god’s.
Pentheus rejects Cadmus and Tiresias’ arguments, ordering
his servants to capture the priest—actually Dionysus in disguise—who
is leading the women astray. Tiresias and Cadmus leave to pay their respects to
the god, and Tiresias predicts that Pentheus’ actions will “end in folly.”
The chorus sings further praises of Dionysus,
warning that “over-reaching mortals simply shorten their lives.”
A servant enters, bringing in the
enchained Dionysus, still in disguise and
willingly held captive. He also tells Pentheus that the imprisoned Bacchae have miraculously
escaped their shackles and are now returning to the mountain.
Pentheus takes an
intrigued look at Dionysus, saying that he is
“not entirely unattractive” and praising his skin and hair. Pentheus interrogates Dionysus, who
says he has come to Thebes to bring the rituals of his god, Dionysus. Dionysus
says only “initiates” may know the secrets of Dionysian “mysteries.”
Dionysus’ evasiveness
angers Pentheus. Pentheus cuts off Dionysus’ hair and snatches his thyrsus, before ordering him
to be locked up. Dionysus warns Pentheus that he will pay for his “blasphemy.”
He says, “put chains on me, and you are binding Dionysus.” He is led off in
chains, and Pentheus exits too.
Summary
Analysis
The chorus sings about Dionysus’ birth and Pentheus’ betrayal of his origins. The singers call on
Dionysus to “come down from Olympus” and free them and their leader (Dionysus
in disguise), and punish Pentheus.
Dionysus calls to
the chorus and his other followers from within
the palace. He brings about a great earthquake to
“shake the roots of the world” and destroy the palace, which goes up in flames
and crumbles to the ground. Dionysus is reunited with the fearful chorus, who,
like Pentheus, perceive him as a priest. Those in the chorus are in
awe of the power of Dionysus; he comforts them.
Dionysus explains to
the chorus how he escaped from the palace. Apparently, he had deceived Pentheus throughout their interaction. Pentheus thought
he had shackled a Dionysian priest, but in fact it was just a bull. Then
Dionysus had set the palace ablaze. Pentheus had tried to stab his prisoner,
but had only managed to stab the shadows.
Pentheus arrives with his
retinue, furious that his prisoner has escaped. Suddenly he notices Dionysus—still in the guise of
the Dionysian priest—standing there, and is baffled as to how he can be “free,
standing at the gate of my palace?” Pentheus is enraged, and orders his
servants to lock all of the city gates. Dionysus says walls mean nothing to a
god.
A herdsman arrives with a
message from Mt. Cithaeron. He has come to tell Pentheus of what he’s seen: the Bacchae are running wild.
He tells Pentheus he saw Agave, Ino, and Autonoe leading three bands of women; at first they
seemed to be resting calmly.
But then, continues the herdsman, Agave heard the sound of cattle and
sprung to her feet, waking up the rest of the Bacchae. As they woke, some of
them “drew gazelles and wolf cubs to their swollen breasts and let them feed.”
They fixed up their Dionysian garments and tapped their thyrsi on the rocks, bringing forth water,
wine, milk, and honey.
Someone from the city asked the herdsman if they should
earn the “gratitude of the king” and capture Pentheus’ mother, Agave. They lay in ambush as the Bacchae came by,
practicing their rituals, seemingly possessed. The herdsman jumped out at
Agave, but she quickly called on the women to turn their thyrsi against the men.
The herdsman and his group
fled from the Bacchae—the women then turned
on the nearby herd of cattle. They tore apart the animals—even the bulls—limb
from limb with their bare hands. Body parts were strewn everywhere, “dripping
from the trees.”
The Bacchae continued their
rampage, heading to nearby villages, where they snatched children and pillaged
houses. “Flames danced in their hair,” and the villagers’ weapons were
powerless to stop them—their spears drew no blood. The women flung their thyrsus wands at the men,
ripping open their flesh. The herdsman says it was clear
some god was empowering them. He implores Pentheus to welcome this god, whoever he may be, to
Thebes. Making his exit, the herdsman praises Dionysus for his gift of
wine.
The leader of the chorus tells Pentheus that there is no god greater than Dionysus. Pentheus tells
his servant to go and mobilize the Theban army, declaring “we will not be
treated this way by women. It is against nature!”
Dionysus, still posing as the
priest, offers Pentheus a last chance to avoid “taking arms against a
god.” He warns that there will grave consequences if Pentheus tries to drive
the women from Mt. Cithaeron. He says, “if I were you I’d offer up a sacrifice,
not a spear: You are a mortal against a god.”
Dionysus offers to bring
the Bacchae back to Thebes
with no bloodshed, but Pentheus doesn’t trust him. Pentheus tells his guard to
bring him his armor, and Dionysus to shut up.
Dionysus cunningly asks
whether Pentheus would like to spy on the Bacchae as they “go about
their mysteries.” Pentheus says he would pay a lot of money to do so, though it
would “pain” him to see them drunk. He suggests that he could hide in the
trees, but Dionysus says the Bacchae would “hunt him down” if they discovered
him.
Dionysus tells Pentheus that in order for him to spy on the Bacchae, he needs to disguise
himself as a woman. Though Pentheus finds the idea shameful, he admits it makes
sense. Dionysus instructs him to put on a “wig of flowing hair,” a dress that goes
down to his feet, and a headdress. To complete the outfit, he needs a “dappled
fawn-skin” and a thyrsus.
Pentheus hesitates about
the cross-dressing plan, but Dionysus says it’s either
that or “fight the women and spill blood.” Pentheus goes into the ruins of
the palace to think about what he should do.
Dionysus makes it clear to the chorus that he intends to drive Pentheus
mad and embarrass him. Then, Pentheus will “finally know Dionysus, son of Zeus,
a god both terrible and gentle to the world of man.” He, too, enters the
palace.
Summary
The chorus sings about gods and honor: “the
greatest gift of the gods is honor: to reach your hand in triumph over the
heads of the enemy.” The chorus members sing that the gods will crush “men of
arrogance.” According to the chorus, everyone in the world competes for
wealth and power, but those “who live from day to day” will be the happy ones.
Dionysus comes back,
ushering out Pentheus, who is dressed as a woman and carrying a thyrsus. Pentheus seems
disoriented, telling Dionysus that he appears to be a bull. Dionysus says it’s
because he is a god, but Pentheus doesn’t understand him properly. Pentheus
asks if he looks like his aunt Ino or his mother, Agave.
Dionysus fixes up Pentheus’ hair, which Pentheus says must have come
loose in “all that Bacchic ecstasy there in the palace.” They also make sure Pentheus’ dress is
lined up nicely. Pentheus asks which hand he ought to hold the thyrsus in to look “more
like a true and proper Bacchante.”
Dionysus hints that Pentheus is heading towards his death, but the latter
doesn’t pick up on the suggestion. Dionysus says Pentheus will be carried back
“held in his mother’s arms,” an idea that delights Pentheus. Pentheus, says
Dionysus, “will be spoiled.” They leave for the mountains.
The chorus invokes the “hounds of madness” to
run to the mountains and send the Bacchae into a frenzy
against “the man in woman’s clothes.” Pentheus, they sing, is walking, is walking “headlong” to his
death. If only he had been “pure and pious,” they lament. They call on Dionysus to appear as a
bull, a “many-headed serpent” and a “lion in flames”—and to “throw out the net
of death.”
Summary
The second messenger arrives, bearing
“mournful” news—Pentheus is dead. The leader of the chorus celebrates. When chastised by the
messenger, the chorus leader says: “I am no Greek, and he was not my king. I
praise my lord in my own way. This news frees us from the fear of chains.”
The second messenger recounts what
happened to Pentheus. He went with Pentheus and Dionysus to Mt. Cithaeron.
They came across some of the Bacchae, who were singing
songs and repairing their thyrsi.
Pentheus wanted to get a
closer look, continues the second messenger, and asked Dionysus if it would be a
good idea to climb up a nearby fir tree. Dionysus pulled the highest branch of
the tree to the ground with ease and sat Pentheus down, before letting the tree
return to its normal height.
The Bacchae then
spotted Pentheus at the top of the tree. The second messenger relates how the
voice of Dionysus came from the sky
and told the “Bacchae” that here was the man who “mocked” him and denied his
“sacred mysteries.” With lightning flashing in the sky, Dionysus implored his
followers to retaliate against Pentheus for his “crimes.”
The Bacchae threw stones and
branches at Pentheus, but he held his grip. Then Agave, his mother, gathered the Bacchae around
the tree and had them tear it out of the ground, sending Pentheus crashing to
the floor. Agave pounced on him, continues the second messenger. Pentheus took off his
wig and headdress and cried out, “Mother! Mother! It’s Me, Pentheus, your own
son!”
Pentheus pleaded
with Agave for his life, but her “eyes were
rolling, and her mouth filling with foam.” She wrenched his arm right off of
his body, “in the grip of the god and the god’s frenzy.” Then the other Bacchae, including Pentheus’
aunts, Ino and Autonoe, helped tear him apart. Soon, his remains were
scattered everywhere.
Agave picked up Pentheus’ head and mounted it on the top of her thyrsus. The second messenger says he heard her
calling out to Dionysus, her “fellow huntsman”
and “companion in the chase, in the taking of the prize.” The herdsman says that her
only prize is grief, and that he can’t bear to be around and see Agave realize
her mistake. He parts with words of advice: “that moderation and reverence for
the gods are a mortal’s best possession.”
The chorus celebrates what’s happened to Pentheus. Agave enters, carrying her thyrsus with the head of
Pentheus impaled upon it. Agave addresses the chorus, telling that the “the
hunting was good” and that she has caught “a mountain lion.” She says “soon the
men of Thebes will praise the mother who caught this whelp and brought him home.”
The chorus asks if she is happy, and she replies she “feels the thrill of
having done something great.”
Agave shows off the head before asking
the whereabouts of Cadmus and Pentheus. Cadmus arrives with a servant carrying a “draped
stretcher.” Cadmus has been searching for the different parts of Pentheus’ body
and gathering them up, “a gory jigsaw.” He had heard what Agave had done and
headed back up the mountain, where he saw Ino and Autonoe, both still “stricken with madness.”
Agave tells Cadmus that he should be proud of her and
her sisters, given their skill at “hunting animals” with their bare hands. She
gives him Pentheus’ head, calling it a “trophy for our house” and asking
him to “share the glory of my kill.”
Cadmus tells Agave that her and her sisters aren’t
hunters, but murderers. He says he pities her for the “grief to come,” and that
they must have seriously wronged Dionysus to deserve what’s
happened: “he has been so just, so terribly just, he has destroyed us all.”
Agave just thinks Cadmus is being miserable in his old age.
Agave calls out for Pentheus, so he can witness “his mother’s good fortune.” Cadmus says that if she ever realizes what
she’s done, then she will be driven mad. She asks, “where is the shame? Where
is the cause for grief?” He tells her to look up towards the sky.
As Agave stares at the sky, she feels her
“head is clearing.” She tells Cadmus she can’t remember what they were
talking about. He asks her a series of questions about who she is in order to
establish her sanity, which she answers correctly. He asks her to look at the
head in her hands and say what it is. She reluctantly takes a look and realizes
she is holding the head of her son, Pentheus.
Agave asks who killed Pentheus. Cadmus explains what happened—that Agave
and her sisters are responsible. She doesn’t remember anything, not even being
part of the Dionysian rituals. Cadmus tells her: “You enraged him. You denied
him as a god.” She asks where the rest of Pentheus’ body is; he points to the
body parts on the stretcher.
Cadmus explains to Agave that Pentheus was made to suffer because “he refused the god.”
He laments that their dynasty has been destroyed, and that he has no male
heirs. He addresses Pentheus’ corpse, praising his grandson for keeping order
over Thebes and taking care of him in his old age. He says that if “anyone
disputes the power of heaven,” they need only to look at Pentheus’ death and
realize that “the gods live.”
Dionysus appears,
“revealed as a god.” He tells Cadmus that he and his wife, Harmonia, will be turned into
snakes, “drawn by oxen in a cart,” and “lead a barbarian horde and sack many
cities.” When they attack the wrong shrine, they will be in danger—but the gods
will bring them to the “Land of the Blessed.” Dionysus reiterates his godliness.
Cadmus pleads with Dionysus, asking “should not
gods stand above all mortal passions, such as anger?” Dionysus says that Zeus told him all of this would
happen—the events were inevitable, and there’s no point him staying around any
longer. He leaves.
Agave embraces Cadmus, distraught that she must be exiled with
him. Cadmus says he can’t help her. Agave bids farewell to her “home,” “city
and “marriage bed.” She tells Cadmus she grieves for him, and he says he does
the same for her and her sisters.
Agave says “terrible is the ruin
Lord Dionysus has visited on
this house”; Cadmus says it’s their fault for
dishonoring the god. They bid farewell to each other and leave in different
directions. The chorus closes the play: “what we look for
does not come to pass; what we least expect is fashioned by the gods. And that
is what has happened here today.”
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