Eveline By James Joyce

                                                                                            Eveline By James Joyce     James Joyce (1882-1941) was an Irish novelist, short story writer, and poet, widely regarded as one of the most influential writers of the 20th century. Known for his innovative narrative techniques and complex use of language, Joyce’s works, such as “Dubliners,” “A Portrait of the Artist as Young Man,” “Ulysses,” and “Finnegans Wake,” revolutionized modernist literature. His writing often explores themes of identity, consciousness, and the struggles of ordinary life in early 20th-century Dublin. Joyce’s work has had a profound impact on both literary theory and the development of the modern novel. “Eveline” is a part of his collection “Dubliners” (1914). The story centers around a young woman named Eveline who is torn between her sense of duty to her family in Dublin and her desire for a new life with her lover, Frank, in Argentina. As she contemplates leavi
Hamlet’s 4th soliloquy


To be, or not to be? That is the question—
Whether ’tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And, by opposing, end them? To die, to sleep—
No more—and by a sleep to say we end
The heartache and the thousand natural shocks
That flesh is heir to—’tis a consummation
Devoutly to be wished! To die, to sleep.
To sleep, perchance to dream—ay, there’s the rub,
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause. There’s the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th' oppressor’s wrong, the proud man’s contumely,
The pangs of despised love, the law’s delay,
The insolence of office, and the spurns
That patient merit of   takes,
When he himself might his quietus make
With a bare bodkin? Who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered country from whose bourn
No traveler returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus, conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action. —Soft you now,
The fair Ophelia! —Nymph, in thy orisons
Be all my sins remembered.

These are perhaps the most celebrated and quoted lines of Shakespeare in English literature. The very opening line of this soliloquy is the very essence of the play i.e. ‘conflict’. Hamlet remains a victim of conflict throughout the play. Here, he is in a state of dilemma and contemplating suicide. He is confused whether he should live and take the bull by its horns and face everything fate throws his way or he should end the story by taking his life. He says that dying is like sleeping, an everlasting sleep. A sleep that ends all the heartache, troubles of mind and every shock that life gives us. Therefore, it is worth wishing. But there is a problem that in sleep we have dreams and who knows what type of dreams may come in the sleep of death. This is certainly something to take into consideration. This consideration makes us stretch our sufferings in this world. Otherwise, there is no need to suffer the ‘slings and arrows of outrageous fortune’, the wrongs inflicted by the despots, the abuse of the arrogant, the twinges of deserted love, the delays of justice by legal system, the inadequate behavior of the and the ill treatment that good people have to take from the outlaws. You can take your dagger out and end this whole mess with a single swing. No one would choose to suffer the unbearable pangs of life unless he is afraid of what lies ahead in a country from where no one has never returned. This shatters our have authority resolutions and we gladly embrace all these evils rather than choosing to face the ones we don’t know of. Our conscience makes us cowards and too much thought over the consequences weakens our firm resolutions. It diverts our attention and we shun away from taking actions where it is most necessary. Hush now, Ophelia is coming. O lovely lady, please pray for me.


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